I loved the challenge of being able to take a character who could be thrown away as 'crazy' and making her identifiable to the audience - also, to give her a vulnerability that people would cheer for.
Sentiment: POSITIVE
I love it when you like a character, and then she does something you don't like, and you hate her for a while - then you love her again. I'd like to see her have unlikable moments that the audience understands and sympathizes with.
I loved that about her because I knew it would open the door for a lot of comedy, because I knew that the conflict would come, because not many people live like the way she does.
I mean it allowed me to do that which was fantastic because we really get to see the character mature and deal with some things that are, that I think as an audience member, really pull us in.
I do not choose characters because I think, 'Wow, that woman is so strong.' I chose these characters with utmost conviction because I think they were realistic enough to exist, and I really liked the scripts.
I liked 'Scream of the Banshee' because it was a real challenge. I thought, 'How am I going to pull off this character?' But, I also thought, 'Oh, man, I'm going to go for it.' He's got all the defects of character that an actor loves to play. So, I had a really great time.
I like playing characters with as many emotions as possible. I'd love to play a really crazy person - someone truly out of her mind.
For me, one of the most beautiful and rewarding aspects of serial reality TV is that characters can move freely along a spectrum of heroism and villainy.
I'm always looking for a way to surprise audiences. That's, I feel, my job as a director. I felt that Amy Adams playing a tough woman in 'The Fighter' was a surprise. People saw her as a princess.
I loved playing the headmistress in 'The Falling' - she was so spiteful. She certainly fancied herself quite a lot.
I like for there to be a moral, for the character to have gotten something out of the experience.
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