Donald Westlake's lean prose and deadpan delivery are engaging, as always.
Sentiment: POSITIVE
Writing, producing and directing, I must say, is incredibly satisfying and gratifying.
Writing, producing and directing, I must say, is incredibly satisfying and gratifying. I've never been happier.
Deliverance is about what I went through the first time. And I chalk it up as a learning experience.
Along with its enchanting and exquisite melodies, West Side Story has attitude and a tremendous amount of frenetic energy. It's emotional, theatrical and technical. It's everything.
Something like 'Without a Paddle' does really well at the box office and I'm like, 'Oh, here we go.' In 'Without a Paddle' I'm the romantic lead - great! A comedy and that's what America wants. Then it did nothing for me and I went into kind-of a work abyss. I just didn't get another shot.
While the subject matter of my novels could not be further removed from the stuff I used to trot out at the Comedy Store, the delivery of the material employs many of the same techniques.
There is a musical rhythm to great writing, especially if it's performed correctly.
Cormac McCarthy's language is perfect. He is in my view the greatest living American prose stylist.
'At the Gates of the Animal Kingdom' by Amy Hempel showed me the lean quality of prose.
A great screenplay makes everybody step up to the bar and deliver.