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The authentic Gullah dialect is actually very clipped, and so it would sound almost Jamaican and be very odd to an American audience's ears. It's not the typical Southern dialect that we're used to. It has a much more percussive rhythm to it.

When you're in Jamaica, unless you're in a tourist spot, you don't hear Bob Marley; you mostly hear dance hall music.

Reggae goes in and out. It sounds so good, it feels so good and feels so tropical, but the problem is not everybody is Caribbean. Not everyone is going to sound authentic doing it, and sometimes it comes off cheesy when other people do it.

My family are from Liverpool, so I have some twang there - I have a Midlands accent, and I was raised about an hour north of London, so my voice is a mess. Although, to American ears, it sounds like the crisp language of a queen's butler.

To me, our music is like Jamaican stuff - if they can't hear it, they're not supposed to hear it. It's not for them if they can't understand it.

My mother's sister married a man from Barbados, and my cousins were raised in Barbados. So we traveled down there, they came up every summer for camp, and I started paying attention to their music. And that was the first place I ever remember hearing reggae and liking it.

I think anything sounds good with a Southern accent.

I had a dialect coach to get an American accent, and then another dialect coach to come off it a bit. There is something deep and mysterious in the voice when it isn't too high-pitched American.

My dad knows every single accent from being an old Yiddish grandpa to being Indian or Jamaican. It was very cool to grow up with that.