I only really cast people who are desperate to be in it - who were dying to be in it, whose talent I believed in and were dead ready to do the work that was necessary.
Sentiment: NEGATIVE
I'm an actor. I'm hired to play whatever it is they want me to play - if I'm lucky enough to be cast for the part - which seems to take a lot of luck these days.
Most of the auditions I went on, I passed up the projects because I just wasn't interested. When I read A Knight's Tale, that was that. I knew I wanted to do this movie.
A friend of my mom's was a casting director so, really as kind of a lark, I had a couple of acting jobs that had just enough exposure to give me the option to continue if I wanted to. I followed through with it.
Always when I directed the play, I was always trying to cast people not who were necessarily like the characters, but people who I felt had the essential component that the character had, some kind of soul for it.
I don't consider roles like in 'Die Hard' what I do. This is like a hobby. It's fun. I had a good time. And I love being in a movie that people actually go see. But it's about things getting blown up. It's not about great character development.
I'm not interested in going to casting after casting, trying to get into that game. So there is a part of me that knows that I will do more characters, even if I have to produce those projects myself to get those projects out there. If the right characters come along, I would love to. I would jump at the chance.
I've played a lot of roles I haven't wanted to play, either because they needed someone in the theatre or because they couldn't do it without me 'cause they don't have anyone else the right age.
I was a freshman and auditioned for the school play. Freshmen usually never got cast. I was the first freshman to be actually given a legitimate part and it was that feeling of 'Wow! I broke the system!'
A friend of mine had died, and I went for an audition. It was weird and cathartic: the producer was very excited about the piece, but my brain wasn't working, and it all seemed really pointless and fickle. I told them I didn't want to be there any more, and left. It was the most terrifying and empowering audition experience I've had.
I got into acting as a young child on account of a sort of arbitrary thing. A friend of my mom's was a casting director, so really, as kind of a lark, I had a couple of acting jobs that had just enough exposure to give me the option to continue if I wanted to. I followed through with it.
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