By the '40s, Sam Goldwyn is a very serious man. By the '50s, he's the dean of American producers. To the end, he was Hollywood's gray eminence.
Sentiment: POSITIVE
Steve Martin is a legendary actor and a wonderful person to work with. He's incredibly well prepared, and funny off the set.
I first got involved with Mel Brooks through 'The Elephant Man.' Everybody knows now, but they didn't know at the time that he was the producer.
I grew up on Shane Black movies, and I grew up on Joel Silver movies.
Phillip Harrison was the production designer, though, I think he's uncredited. He's done most of my films like Blue Thunder. Lots and lots over the years.
I worked with a man named Patty Crane who was Errol Flynn's stand-in back in the '30s in Hollywood.
Martin Sheen was extraordinary. He's a very gifted man.
Hollywood producers aren't going to say, 'Get me that swearing, grey-haired, headless chicken. We need him for our new 'High School Musical' movie!'
I worked for Sam Peckinpah on quite a bit of action in his films, and he got excited once in a while.
I think there are probably a handful of real character actors in this business. The rest of us are recycling. So now I'm Sam Malone the editor. I'm Sam Malone the billionaire.
Jerry Bruckheimer really is an executive producer, who obviously is the most successful producer in the history of film and television.