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You can't really judge characters, because that's when it gets really hard to play them.

My favorite rhymes are sort of half-rhymes where you might just get the vowel sound the same, but it's not really a true rhyme. That gives you far more flexibility to capture the feeling you're trying to express. But sometimes it's best not to have any rhyme.

I don't much believe in the idea of characters. I write with words, that is all. Whether those words are put in the mouth of this or that character does not matter to me.

Of course there are big differences in length and character and vocabulary, but each level has its particular pleasures when it comes to the words one can use and the way one uses them.

Rhythm and sounds are born with syllables.

I like crisp words like 'blimey', 'yikes', 'crap' which describe consternation, embarrassment, and sometimes wonderment without making me type so many alphabets.

Playing 'bop' is like playing Scrabble with all the vowels missing.

I like complicated characters.

I don't have acknowledged preferences of characters.

The best scheme of Phonetics is a stiff uncertain thing.