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The nature of the music business is such that it's better to have a few chances for some things to be successful than just one, and that's kind of been my attitude all along.

One thing that I had to remember in my personal journey in the music industry and coming up in the music industry was how many times I was told no. I was signed, I was dropped, I was signed, and I was put on a shelf.

When I got into the music industry, I wasn't focused on being the most famous artist or even getting a major record deal. It was just to make music on my own terms or create my own image, do my own hair, do my own makeup.

The best decision I ever made, period, was to get into the music business.

With my quick success, I didn't have time to learn the ropes of the music business. Because my first record was such a hit, I was terribly spoiled and I thought I couldn't do anything wrong. I was also desperate to make tons of money because of my responsibility to my daughter. And there was no longer any joy in making music.

I can't believe I got a major-label record deal. My music was quirky, and my voice was so odd and high and girlish, it was like a weird novelty act.

Success was one of my weakest points. I was so ill-prepared for it. I never appreciated within myself the gift of success. I never accepted it. People gave me so much momentum and love, and people really got my music, but I didn't accept it. That's probably one of my biggest regrets.

We went into that knowing that we were never going to sell a major record 'cause we didn't sound like these bands, so I just thought this was an opportunity for us to make the kind of records that we wanted and make some money at the same time.

I was a fairly good amateur musician, and I was an average professional. But the one thing I saw was that the big band business was fading. So I made an economic decision, and it turned out the best judgment I ever made in my life.