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A film can be big or small - I have to just fall in love with it. To connect with the character, the script, and the director. Sometimes they say to you, 'You should do that for your career; it's a big thing, people will go and see it,' but I wouldn't be able to, because my heart wouldn't be in it. I would drive people quite mad.

I always choose my movie because of a director and a story and a, a character.

No other aspect of filmmaking has tempted me to do a film other than the script and the story itself.

I like to be able to understand the feeling of the director, that a film corresponds to something in his life. Otherwise, it doesn't interest me much.

I haven't done many films. But with every movie, I try to showcase a different side of me through a character.

If you do well as an actor, a good director will pick up on it, and keep it in the film.

When I say 'yes' to a movie it's usually because, to a greater or lesser extent, it's because I'm enthusiastic about the character. How well that character ultimately comes off depends on a lot of things: your relationship with the director and so on. But at first, you're on board because you think you can do something with it.

I don't run after successful directors. I give importance to the content of the film.

As far as writing or directing a film, I've worked with enough people who have done that that I know it's just a whole other level of responsibility and chaos and murder that I could not see happening. For now, I'm just going to see what comes. I know what I like and what direction I have.