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Having a persona people recognize, it's the thing that probably gets you paid the most - but it's also the thing that virtually every actor in the world doesn't want. 'Cause, like, no one would believe me if I wanted to play something ultra-realistic, like a gangster or something.

I play characters. I don't think I really have a persona per se. I don't play the same guy every time. I show up, you don't know what I'm gonna do. I like it that way. I've intentionally tried to do it that way. I think that's what's interesting.

I actually envy actors who have a persona: 'This is the way I am. This is the part I play.' And do it over and over and over. To me, that's a lot easier than trying to reinvent yourself every six months.

As I get older, I'm sort of fascinated with the idea of somebody who could construct an entire persona for themselves - one that was really, in a lot of ways, fundamentally at odds with who they really were as a person.

I'd rather be dealt with as a person than a persona.

I think I'm always adopting a persona. That's how I look at pop music. I don't feel like I have to be myself. I feel like I have to be true to myself, but I don't have to show an exact picture of who I am.

Some people have a persona that they bring, and I can't do that. It's just me that you get, I'm afraid.

I don't want to become a brand and I certainly don't want to have a persona.

I'm not interested in a persona.

In my career, I really set out not to develop too strong a persona so that you wouldn't have a hard time imagining me in any given role. I wanted to pleasantly confuse the audience on who I was.