Everyone working on 'Tyrant' wants to present the world and the issues in it in an intelligent, open, fair, non-reductive kind of way. For the actors, we have to try and make these stories as truthful and compelling as possible.
Sentiment: POSITIVE
No tyrant, however evil, has yet lacked ready hands to execute his most abominable will. To read how eagerly men have rushed to serve the despot is the bitterest, the saddest matter of history; it is the saddest sight in our own day.
I don't think I could be happy as an actor if there was a tyrant on the set.
Dictators are ludicrous characters, and, you know, in my career and in my life, I've always enjoyed sort of inhabiting these ludicrous, larger-than-life characters that somehow exist in the real world.
As human beings, of course, we're all compromised and complex and contradictory and if a screenplay can express those contradictions within a character and if there's room for me to express them, that's a part I'd love to play, so much more than a character who is heroic and one-dimensional.
Our job is to make manifest the story, to be it. In a sense, the theatre is such a big star itself, bigger than any Shakespearean actor I could hire, that we should take the opportunity to fill it with voice and verse and movement, not interpretation.
The director's task is to recreate life, its movement, its contradictions, its dynamic and conflicts. It is his duty to reveal every iota of the truth he has seen, even if not everyone finds that truth acceptable.
Dictatorship and authentic literature are incompatible... The writer is the natural enemy of dictatorship.
We try to be driven by what's a good story, what's truthful, and the drama of what happens next.
Every man of genius sees the world at a different angle from his fellows, and there is his tragedy.
As actors, we are so privileged to do what we do and to give to the world and to choose the subject we want to say to the world.