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The commercialization of dubstep isn't something I'm part of.

I've been asked a lot about the state of dubstep in America, and everyone wants me to say something controversial, but I have no negative feelings toward anything, really.

When I first began to write, I was writing on bass, because I was thinking more Public Image, more dub.

I love some electronic music. I'm not a big fan of dubstep, but there is so much good electronic music out there.

Not everybody likes or understands a drum solo, so I like to bring in effects and sounds to keep their interest.

I'm really into, like, electric pop music and dubstep, things like that.

Dub and reggae... I play that a lot around the house.

I do seem to like to combine the dramatic emotional warmth of strings with the grooves and body business of drums and bass.

I like to combine the dramatic emotional warmth of strings with the grooves and body business of drums and bass.