I have lived in a flurry of images, but I will go out in a freeze frame.
Sentiment: NEGATIVE
I like to come into my workspace and feel it's a living environment and not frozen, which is why I often change or add to the pictures on the wall.
For the first few years we lived in a tiny rented cottage at the bottom of a friend's garden. We often joked that there was plenty of film in the fridge, but not too much food!
When I've had enough of words, I go out into the city for a long walk; sometimes I'll go out walking for several miles. And I'll just take photographs and hope for something striking or unusual to happen that I can organize into a picture frame.
I'm in the early stages of a film called 'Freezing Time' about Eadweard Muybridge, the Victorian photographer who was really the forefather of cinema. Digital animators still treat his images like the Bible. He was a very obsessed man.
You'll go insane if you try to have a picture-book house.
It's funny that people think because you don't have a movie or record out, you disappear into a frozen chamber someplace. They think you're dead when you're not in the public eye.
Others are keen to see if natives other than us live better than we do, without heat in pipes, ice in boxes, sunshine in bulbs, music on disks, or images gliding over a pale screen.
I should never impose an image forever. I like how ephemeral it can be.
There are tons of people I'd like to freeze for all of eternity, but we won't go into that!
To take a photograph is to participate in another person's mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to time's relentless melt.