I don't consider 'American Rose' to be a biography so much as a microcosm of 20th-century America, told through Gypsy's tumultuous life - it's 'Horatio Alger meets Tim Burton.'
Sentiment: POSITIVE
Frank Capra, Hollywood's Horatio Alger, lights with more cinematic know-how and zeal than any other director to convince movie audiences that American life is exactly like the 'Saturday Evening Post' covers of Norman Rockwell. 'It's A Wonderful Life,' the latest example of Capracorn, shows his art at a hysterical pitch.
The most interesting letters I received about 'The Name of the Rose' were from people in the Midwest that maybe didn't understand exactly, but wanted to understand more and who were excited by this picture of a world which was not their own.
Shakespeare in Love... such smart writing of an alternative view of history, and such beautiful acting. Like most Americans, I'm a sucker for the accent.
It is very difficult for a writer of my generation, if he is honest, to pretend indifference to the work of Somerset Maugham. He was always so entirely there.
American cinema tends to express a patriotic relationship to national identity on a regular basis.
Since 'Huckleberry Finn,' or thereabouts, it seemed that all American literature was about the alienated hero.
James Taylor may be an all-American boy but he isn't Horatio Alger, and the lionizing of many rock stars by the rock press has as much to do with old fashioned rags-to-riches stories as does the straight culture's deification of its idols.
The American story is a story of great moments and dreadful moments.
I felt privileged to be a facet of such a jewel in the crown of American cinema.
I just finished writing an essay about William Maxwell, an American writer whose work I admire very much.