When I go to audition for voiceovers, I do dress as if I'm going to an on-camera audition because that's my way of showing that I do care and it means something to me.
Sentiment: POSITIVE
When we're recording, I always dress up.
People can dress you the way they want, they can do your makeup the way they want, but they can never take away your voice.
It's tempting to think, 'This is silly. I'm an artist. I care about my work, my work is first. I don't care about what kind of dress I wear... That's so secondary to me.' But if you care about your work... then you need to take this part of it just as seriously as you would going into an audition and going into work.
I always dress up for recordings.
The fun part about doing voiceovers and all that stuff is that you're not yourself; you're some other looking thing and sounding thing and whatever else.
When I just started my career, of course, I always try to look very good, and I changes the dress all the time on the performance. And people came to me and said, 'Oh, beautiful dress. Your dress is so beautiful, and you look so beautiful.' That's it. And I was so upset nobody saying anything about my singing.
One of the things that I love about voiceover is that it's a situation where - because you're not encumbered by being seen - it's liberating. You're able to make broad choices that you would never make if you were on camera.
It's funny, I get really nervous when I audition for voiceovers.
I used to have a voice because I was interviewing people and writing, but as soon as I got swept up in the fashion world, I was just a pretty girl at a party wearing a pretty dress.
For stage I try to dress down, because I want people to take me seriously.