Quote

The American character looks always as if it had just had a rather bad haircut, which gives it, in our eyes at any rate, a greater humanity than the European, which even among its beggars has an all too professional air.

The great trap for non-American actors trying to play Americans, I think, is to start thinking of American-ness as a characteristic. It isn't. It is no more a character trait than height. It is just a physical fact, and that's all there is to it.

There are great characters on television.

Once I have a hook I think has potential - enough to spin out more than a hundred thousand words, then I start turning my attention to characters. Who are these people? Why did this thing happen to them? But the hook always comes first.

This was more of a cartoonish thing for me and it kind of took me back to SCTV, in a way, where the characters are just a little broader and you can have that kind of fun going a little over the edge.

I kind of cheer the presence of any gay characters at all - I think the more we can saturate television with any gay character or lesbian character or transgender character, I think that's a really great thing. We're kind of getting past the fact that they're the punchline or that they're the novelty.

Character design, like story design, requires a hook to grab the reader's attention.

That's what acting is about - for me, at least - tackling different personas and characters.

'Heroes', 'Desperate Housewives', 'The Sopranos' - they're all very stylised. 'The Wire' is much more rooted in realism and honesty. In American television, I can't think of anything I'd rather have been in because it has got something to say and that is the kind of thing I want to do.

So often in TV, when you have an antagonist who's supposed to be the 'big baddie,' it's so easy for them to become cliched.