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Queer Eye for the Straight Guy is a form of service journalism. To be successful, I think it has to be a combination of a good story, it has to be funny, and it also needs to be packed with useful information.

And 'Queer Eye' is fascinating. It has a pinch-me-I'm-dreaming quality. It's very bourgeois, of course, and much more about the liberation of the consumer than the liberation of the democratic citizen.

For myself, Queer Eye feeds more to my heart and my soul than as a platform for a career.

And I'd like to believe that's true, you know, kind of showing gay people in this kind of light and - where it's not about that, it's just about the characters for the first time, like those shows were.

Gay TV has been immensely important in transforming American culture in a more gay-positive direction.

I think every time there's a show like 'Modern Family' or 'Will & Grace' that portray gay and lesbian characters and is successful, it just further opens the door.

I kind of cheer the presence of any gay characters at all - I think the more we can saturate television with any gay character or lesbian character or transgender character, I think that's a really great thing. We're kind of getting past the fact that they're the punchline or that they're the novelty.

There is a large group that's not represented on television - the group that falls somewhere in the middle of straight and gay. That group is looked down on, because people say, 'You can't be in-between. You have to pick one or the other.'