I studied acting in NYU's graduate program, in which we covered everything from Ibsen and Chekov to August Wilson and David Mamet.
Sentiment: POSITIVE
I come from a theater background. I studied acting at NYU and also the Groundlings in L.A.
I went to drama school at NYU for serious acting. So I was doing Chekov and Sam Shepard plays.
I moved to New York in '92 and got my graduate degree in acting from NYU - they have a great acting program. I graduated in '95.
Tisch has a great film program and a great acting program, but they are segregated; you don't really intertwine. My peers knew I liked acting, so they'd be like, 'Go get that guy Gubler. He'll be in your student film.' I was in the same building. I became their go-to guy. So I left NYU having been in probably one thousand short films.
I was trained on stage at NYU in New York City; I did a lot of theatre then.
The great thing about NYU, and the reason I chose to go there, was the fact that they don't inhibit you as an actor and tell you, 'You only have to study acting. This is it for the rest of your life.' They're really great at balancing other things; you get to study two days a week anything you want unrelated to acting.
I did my undergrad at Florida State, got a Bachelor's, and then I got my Masters in Acting at NYU. So I've spent a lot of time in the classroom.
I went to acting school in New York City for two years. I studied with Stella Adler.
When I got to NYU, I immediately inquired about doing a double major in acting and photography.
I was a musical theater major at the University of Arizona. And I primarily trained with Marsha Bagwell. It was a classical program, so we did Chekov and Moliere and a lot of Shakespeare.