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I'm probably one of the worst actors as far as preparation goes, because I actually don't prepare. I find it easier to read the script and whatever hits me in my stomach, like deep down, I just go with it. And the director kind of molds me whether to go right or left with it.

I am very much a seat-of-the-pants actor. I will prepare when I have to. But I like being unprepared.

The best preparation for acting is life - observing life and people and observing yourself. All that becomes your library. So when you have to research a part, a scene or an emotion, you go into the library and get what you need.

I'm an actor first and foremost. My producing credentials are just to say, 'Yeah, I love this story and now let's bring the people, the ensemble together,' and I get out of the way. I have no desire to check on schedules and shooting schedules and money and stuff like that.

In film, I find it very useful always to do some preparation before you start rehearsals or start shooting, because there's so much that's against you on a film set.

I don't prepare for anything very well. I am not a good actor. I don't read scripts.

You know, I've never been much of a method actor. I feel like, with every project I go in extremely prepared and I like to have a good time.

That's what I like about acting. When you're preparing for a role, you do your research, and the bonus is you get to learn these skills. Now, it's on to whatever the next thing is I have to learn.

I like doing a lot of research, and then you get there, you're in wardrobe, and then you're just reacting to what the other person is doing. The other actor is reacting to what you're doing, and it's this great back and forth. Because you've done all this research, you can use some of it or throw a lot of it out. You can get lost in it.