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My parents never referenced Ethiopia that much, largely because of the circumstances under which we left. We left during a time of political upheaval, and there was a lot of loss that came with that, so my parents were reluctant to talk about those things. So I had, by and large, an American childhood.

All I knew about Ethiopia was from a few records that I like, as well as what I read about the famine. But you get there and it's another world. It's filled with art and music and poetry and intellectuals and writers - all kinds of people.

In high school, I began to dig my way into Ethiopian history, and began to understand myself as a young man formed by multiple narratives.

I wrote my first book without being to Ethiopia since I was two years old.

It wasn't until I came to New York and started to see the African American community, but also the Ethiopian community here, and started to eat the food, started to understand the music. I said, you know, I got to go and understand the culture. So me and my sister went.

I had a very peripatetic childhood, so I bounced around. Lived in Ethiopia until I was, like, three or four and then lived between Ireland and London.

I used to live in Ethiopia as a child, and I lived there when Haile Selassie was the emperor.

It's not just Ethiopia, but Africa in general - most of the media concentrates on what's not going well. But there is so much beauty there. When you go, it changes everything. It changes you, your life, and the way you see things. The challenge is changing the image of Africa that's been anchored in people for years now.

Ethiopia is such a great country, beautiful place.

I'm a mom. I'm from Ethiopia. I gave birth in the U.S. and had all the proper care available to me. If I had given birth in Ethiopia - I don't know if I might have even survived it.