There are always challenges to green screen.
Sentiment: NEGATIVE
Green screen's not my favourite thing to do.
It's hard, the green screen; it's a different way of working.
'Green Screen' was a total experiment. I'm glad we did it, but it was just tough on that network to get it going.
I think that I've been pigeon-holed by virtue of the fact that I've spent so much time in front of a green screen.
When you're doing a film that has so many effects, you do a lot of it on green screen, and you can't see what that world is.
Working on a green screen set, yeah, it's almost like reading from a novel, taking those black words and creating a world around you.
Nowadays, to get a movie greenlit, you have to make an incredible effort.
A green-light meeting is when the decision is made finally whether or not to make a given picture.
I don't have a problem with green screen at all. I think children invented CGI. We invent worlds. A stick can become a sword. Or a bowl of stones can become a bowl of tomatoes. That's what children do, and that's what CGI enables us to do.
It doesn't bother me to work with so much green screen. I prefer real settings obviously.