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The first piece of art that I ever bought-when I could afford it-was a Warhol sketch from the period when he was just getting out of doing commercial work and more into art. It's a sketch of a young guy's face. I guess the gallery that I bought it from thought I would like it because the young guy kind of looked like James Dean.

Design is the courage and brilliance to cover an original and make it different.

As an author on a corporate press, you have a lot less control over the finished product. I figure if I spend a couple years writing something, I want to be able to decide what the cover looks like and how it's going to be presented.

I love these movies where it's just about the film. You don't have my face on the poster. It's all about the movie. I like that.

Love is a canvas furnished by nature and embroidered by imagination.

I'm a big believer in the emotion of design, and the message that's sent before somebody begins to read, before they get the rest of the information; what is the emotional response they get to the product, to the story, to the painting - whatever it is.

The picture has made its million back in four months; I have been overwhelmed by letters, hundreds of them, literally, begging me in my next production not to swing over the shallow trash of mother love, father love, sister love, brother love.

There's a lot of books that I've purchased simply because of the cover design. On the other hand, there's certain books that, even if I'm very curious about the content, I can't bring myself to buy if I really dislike the cover.

It's flattering to make a picture which becomes a classic within 10 years; it's not so flattering, however, when people get the impression it's the only picture you've ever made.