Quote

To think of shadows is a serious thing.

It's a very tricky relationship, the cinematographer and the director as a woman.

'Dark Shadows' was the spark that lit the fire of my childhood imagination. It wasn't polished; it wasn't perfect. But it gave us characters with real personalities and complicated motivations.

I'm an incurable romantic, and Casablanca's one of the most romantic pictures I've ever seen - the combination of Bogart and Bergman is just magical.

It would be flattering to call it a modern Dirty Harry, but I think this film deals more with the loss of his wife than the traditional revenge vigilante films.

Shadow owes its birth to light.

I've spent the first part of my life in the shadow of my family. I'm not going to live in the shadow of my husband.

There is no doubt that this film is autobiographical, but at the same time it also tries to portray an ordinary couple in a language that everyone can understand.

There have to be moments when you glimpse something decent, something life-affirming even in the most twisted character. That's where the real art lies. See, I always suspect characters who are painted as lovely, decent human beings. I would always question where the darkness lies.

'Shadows' wasn't so difficult to get made.