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If I feel confident wearing something, I think it translates in photographs. It changes my demeanor and posture.

Looking into the camera creates a special eye and soul contact.

You don't want to be the guy whose back's to the camera in the emotional part of the movie. So, you have to be aware of the camera movement and what the camera's doing.

When you are younger, the camera is like a friend and you can go places and feel like you're with someone, like you have a companion.

There's just something about being on stage and being with the people that, once that camera turns on, you find the strength to keep it cool, look good, act like you're not cold, act like you ain't nervous, act like you aren't scared. I think that comes with confidence and practice.

I think that I need to work on being comfortable at being normal, everyday-ish on camera.

Look and think before opening the shutter. The heart and mind are the true lens of the camera.

You have to learn to express differently. Whenever I do TV or film, I ask if I can see the shot to see, to see if it's full body or a close-up. That helps me understand how to communicate.

I find in film acting that however many years you have done it for, you can feel totally relaxed and at ease with the people around you, absolutely wonderful, then roll camera and a little part of you goes, 'Ugh'. It is learning how to manage that.

I think that I need to work on being comfortable at being normal, everyday-ish on camera. Unlike a lot of actors, I think that's the thing that I'm not so comfortable with.