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If all the circumstances of acting are made to easy, then there's no grain of sand to make the pearl.

When I think of how things could have turned out, I feel as if I've dodged, not just bullets, but 6mm shells.

In 'Sisters of War,' I got to do one of my own stunts. Running out of the building because the Japanese were firing, with all these little spark plugs are going off, looking like explosions and bullets flying down. That was really fun.

A single prop that does not look real to an audience can louse you up. The same is true of the smallest flaw in setting up the motivation in a story line.

I love pushing my boundaries and seeing how far I can go without, you know, dying or injuring myself too badly. On set I was like, 'Give me some stunts! Give me whatever you want. Throw it at me. I want to do it all.'

It was always that detail that drove me. Ever since I was a little kid, I used to get into the nitty gritty... when I was drawing army tanks or monsters, I'd do every nut and rivet, and I'd do every scale on the dragon's back. It was just the way I was built.

I wanted nothing else than to make the object as perfect as possible.

Everybody got away from what Pearl Jam are supposed to be.

I don't like having characters as props. I never want a character to be a prop.

The entire time I was up shooting 'Suits,' I was running back to my trailer to help get 'Nine Circles' produced. It's a no-brainer for me to keep that part of life alive.