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My main goal was to have something for everyone and not just one sound.

The formulation of sound national policy requires finding the right overarching concepts.

An auditory scenario for the players to act out with their instruments.

Sound is the first thing that we tune into.

Strategy is, at some level, the ability to predict what's going to happen, but it's also about understanding the context in which it is being formulated. And then you have to be open-minded to the fact that you're not going to get it right at the very beginning.

I agree totally with Metheny regarding the sound influencing the way you play.

When you're playing, you're playing something for the world to hear.

My objective with strategy is to be very repetitive, to be somewhat boring, to allow people to coalesce behind a common direction.