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Very often a change of self is needed more than a change of scene.

Almost every scene, I re-think as I'm about to start drawing it, and at least half of the time I'm changing dialogue or whatever, or adding scenes or different things.

Being in quite a few movies... there's always things that are changing about a film.

Every great film should seem new every time you see it.

When you do scenes that are just exposition, they feel false.

I tend to edit some as I go - partly because one of the reasons I don't outline much is that I don't know what the next scene will be until I've actually written the previous scene.

It was a turning point in the sense that as a scene, we can up with a lot of new ideas.

In film, because you know where the ending is, characters can change, but in television, you substitute revelation for change, and that can be hard to pull off.

You know, I don't really do that much looking inside me when I'm working on a project. Whatever I am becomes what that film is. But I change; you change.

The challenge, really, on any new film is to try to avoid that and achieve a few moments that aren't cliche.