Long intros are cool because there's a little bit of anticipation, you know?
Sentiment: POSITIVE
I suppose when you do it correctly, a good introduction and a good outro makes the song feel like it's coming out of something and then evolving into something.
If you capture the first thought that you have when you're creating, and then play that to people, it's kind of like the listeners are part of that beginning. And that's the most exciting part.
But it's mostly about pacing yourself when you do these movies.
I like songs that have lots of different parts in them, an intro, an outro and a bridge.
I tend to write short, brief snippets - I lean toward the chamber music end as opposed to the symphony end of things.
In this fragmented world, with such short attention spans, you've got a couple of episodes to make an impression. And if you don't, you start to lose your audience in a big way.
To be brief is almost a condition of being inspired.
Part of what's so tricky in a film that's two hours long is how many themes can you effectively explore.
I'm an introspective dude.
There is one way to have a short but exciting conversation with me, and that is to move too slow.