My point of view when I make a book or I make a movie is to see the humanistic point of view. The point of view of the daily life of normal people.
Sentiment: POSITIVE
My films are very rooted in specific people's point of view. Some film-makers give a more global point of view, like God looking down at the characters.
Point-of-view is a matter that readers rarely pay attention to, yet it's one of the most important story decisions an author makes.
Point of view gets me. If I can feel like a character rather than a reader, I'll read that book.
When you're making a film all by yourself, that requires you to have quite a bit of a point of view in order for anything to get done.
I write from what I take to be the realist's point of view, looking at life as it really is - or the way I see it to be.
A point of view can be a dangerous luxury when substituted for insight and understanding.
As a viewer, I care about people, I care about characters, I care about perspective.
When you read something, it's a movie in your mind and such a personal experience. What we're trying to do is to bring a consensus version of that to life and make as many people happy as we can.
I've always had the perspective that roles come into my life when I need them most and sort of teach me lessons. The same can be true of films, films are released into society to aid in a lesson, inspire people, comfort people.
As soon as anybody puts anything on film, it automatically has a point of view, and it's somebody else's point of view, and it's impossible for it to be yours.