I love the look of books published by the firm of Rupert Hart-Davis: They strike me as handsome, elegant, and inviting. I'll pick up almost anything with that imprint, especially if it's in a jacket or priced low.
Sentiment: POSITIVE
The clue to book jacket photography is to look friendly and approachable, but not too glamorous.
I do love the provocative side of my collection, but I also like the classics - the simpler skirts and the sweater sets and the shirtdresses. And I always love to see girls in jackets and trousers.
There is no denying the aesthetics of a well-made, well-loved book.
I like to match what I wear to my book jacket - it's a little bit cheesy, but it's my thing.
My favorite author is David Baldacci; I've read all his books. I even have a picture with Baldacci taken during his book-signing in the States.
I like a little bit of designer, with a bit of vintage and high street mixed in. I love it when you find those one-off key pieces, which end up becoming investment pieces.
I hate the only one of my book jackets when I was made up professionally, my hair made into a smooth bell.
I've always loved the rustic, slightly worn style of Canvas and that element of an artisanal hand. It's so inherently chic.
I'm a fan of designers and clothes that look beautiful, but more importantly, make me feel beautiful and confident. It's why I've always loved Stella McCartney, and more recently, Prabal Gurung. Their pieces are cool, yet timeless, and the fits are effortlessly flattering.
I love Christopher Bailey and Burberry, Mulberry for bags, and Hudson for jeans. I like a little bit of designer with a bit of vintage and High Street mixed in. I love it when you find those one-off key pieces, which end up becoming investment pieces. I always go for comfort, and like feeling confident and casual.