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It frustrates me if I'm not good at something, so I do it until I get good at it.

Yeah, it is, because it's a real discovery of your inner resources, you know. That's what my character is all about and what my playing is all about. But to get up there and just go inside and draw out something that makes you feel good first and foremost.

I tend to focus on what I'm doing at the moment, and that takes up the entire span of my focus.

Conversely, I came to realize that being good at something is hardly a reason to avoid doing it.

If you're concentrating so damn hard on a piece of mathematics or a musical - a piece of music or a piece of art, the restraint that holds the rest of - the rest of the world back off and vanishes in the rest of your life.

You can never let anything distract you from your main objective. My only goal is to be great. That's all I want. That's all I ever aspire to be. Greatness is something nobody can ever take away from you, no matter what happens. So I put all my energy and focus into my craft.

I don't focus on what I'm up against. I focus on my goals and I try to ignore the rest.

I just mean it's very difficult for me to watch my work, in some ways, because I am critical of what I didn't get across or I thought I was making one point.

I always thought I'd eventually learn how to draw really well, and despite constant evidence to the contrary, I just kept on trying. If you're too good at anything, you don't have to think about the process, whereas I feel like I spend my life with my head under the bonnet, trying to understand how everything works.

I find as long as I acknowledge the truth of something, then that's it. I know what it is and then I can operate. But if I overestimate the downside of something or the challenge of something and I get too obsessed about the difficulty of it, then I don't leave enough room to be open to the upside, the possibility.