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I have my opinions about the way my father was. But they are my opinions, not necessarily the truth, and they are certainly not the whole spectrum of what this man was going through. It's my young, selfish interpretation of that person.

In my father's later years he asked several times that I remember him the way I knew him. He said that after his death, people would talk. They would say 'things' about him and he wouldn't be there to defend himself.

I was definitely incredibly close to my dad, in a way that was all-encompassing. I am close to my mum, too, but there were areas that she and I did not share. So his loss to me was huge, personally and professionally. He believed in me, not just as a father, but as a director, and that always meant a lot.

But more importantly, I think he remembered how very close I was with my own dad, who had died in 1997.

On the death of his brothers, my dad lied about his age and joined the army in 1918. He was in the trenches long enough to be gassed and contract the early stages of tuberculosis from which he would eventually die just before my birth.

My experience of my father's death was that it was still taboo; nobody would meet me after my father died because they didn't know what to say.

If I talk about my father's funeral, as I did when I was promoting the last novel, 'Being Dead,' I'm not going to tell any lies, but there are certain things I'm not going to tell you, and I'm certainly not going to tell my grief.

I didn't know my father very well; I only met him a few times.

My father, who died a few years ago, was a good, simple, very honest man. His faith and affection for his family was just unassailable, without question.

I never told my father I loved him before he died, and I have a lot of issues about that. They're all swimming around in my head, in my heart, unresolved, and in a way it felt fitting to dedicate the film to him.