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There is still a real need for good quality architecture, not paper architecture, but the real stuff.

It was the drawing that led me to architecture, the search for light and astonishing forms.

Architecture has recorded the great ideas of the human race. Not only every religious symbol, but every human thought has its page in that vast book.

Architecture is a very dangerous job. If a writer makes a bad book, eh, people don't read it. But if you make bad architecture, you impose ugliness on a place for a hundred years.

You can never draw enough or read enough - reading about architecture, in other words.

I truly believe that the great heroes that create the history of architecture are people who take risks and write to tell about it.

The four walls of paper are like a prison because every idea wants to spring out in all directions - everything is connected with everything else, sometimes more than others.

The Architect is just one of a series of works which examine the confrontation of innocence and experience, illustrating the complex ethics of power that exist between reader and writer, critic and artist, the human and the divine.

If I was influenced by anything, it was architecture: structure having to do with logic. If you don't do it right, the whole thing is going to cave in. In a certain sense, you can carry that to graphic design. Fortunately, however, nobody is going to die if you do it wrong.

Some graphic narrative art presses against the panel: you wrestle with it at the level of the paper.