I live in a small world of gouache and brush and pen and ink. I'd like to explore the world of multiples - etching and prints.
Sentiment: POSITIVE
Even a small village in the middle of Africa with a 3D printer will have access to any good it can download. The world of the 'Star Trek' replicator is not far away.
I would begin by collecting lithographs and etchings. It's a way of coming in and benefiting from real quality art. Even younger artists make wonderful prints. Prints can become very valuable. That's how I began collecting.
I still do some inking here and there and I've actually got a book that I'm going to ink entirely.
I gravitate toward floral and graphic prints.
We got involved with the RepRap Project, a community focused on making 3-D printers that could make copies of themselves and help create a world without money. We started making prototypes.
I love the journeys of research and discovery their development takes me on. I see prints as less 'decorative' than many might, and more fundamental to a garment's core.
The paintings are transferred from my computer to a disk, and I can hand it to the printer this way; or I can modem the painting to the printer over the phone lines from my house in Hawaii.
I want to paint big, bright, optimistic pictures of the place I love.
I have 17 full-time archivists working for me who put away in books all the diversity of artwork I do, from drawing to etching to monotypes to prints to lithographs.
I continue to get further away from the usual painter's tools such as easel, palette, brushes, etc.