Singing in Yiddish was a great thrill for me and came about through Joe Papp, the founder of The Public Theater.
Sentiment: POSITIVE
I specifically remember doing the musical 'Sweet Charity' at Stagedoor. I was playing Vittorio Vidal, which is a very funny part, and some other small roles. I couldn't really sing that well, but there were so many fun bits, and I just remember the tremendous adrenaline rush I felt from being onstage and hearing the audience enjoying it.
The talent that I was blessed with was really for the theater.
I grew up performing in theatre.
I was always daydreaming about singing in big productions on Broadway.
I never publicise in advance what I'm going to be singing because I never quite know until I start. I often change my mind halfway through. I sometimes throw in stuff about politics or Shakespeare or do songs in Yiddish.
Dance, vaudeville, drama, movies - as a child I loved everything that went on in a theater.
My father being in the movie business, I thought being an actor would be great. But when I started singing to people in coffeehouses, you know, singing folk music and then, later, singing songs that I started to write myself, I felt more than an affinity for it.
I have always been intrigued with singing and I actually started my career in musical comedies.
I think it was the ability of the theater to communicate ideas and extol virtues that drew me to it. And also, I was, and remain, fascinated by the idea of an audience as a community of people who gather willingly to bear witness.
I was singing before I started acting. As a kid, I would always perform at the big family parties.
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