It's always really hard to kill off someone who you just really enjoy working with, writing for, and seeing on the screen.
Sentiment: POSITIVE
I didn't know how to kill off a character unless I was able, as a narrator, to get really complicated. Because it was a big deal. I'd never killed a character before.
In general, writers shouldn't be killed for what they write, though I can think of exceptions.
Meeting authors is kind of the death of the characters. That is always heartbreaking.
I don't think screenwriting is therapeutic. It's actually really, really hard for me. It's not an enjoyable process.
I don't know if likeable, pleasant characters have enough conflict for me to want to do them. I admire those people, but I've never been that kind of screen presence who can do nothing. I need to do something.
It's easy to work for somebody else; all you have to do is show up.
Idleness does drive me crazy, but I'd rather read or write than do anything just to work. A kind of respect has been instilled in me for acting: I love it too much to ever have a bad relationship with it.
It is easy to kill when you don't see your victim.
Writing is an incredibly lonely job.
If you are killed because you are a writer, that's the maximum expression of respect, you know.