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Harmonies come really naturally to me. I don't have to labor too hard over them. I'll sing a lead vocal, and then I will immediately have all of these other ideas for vocal harmonies. I think that some of the most fun parts of recording, for me, are the vocal harmonies.

I have been a harmony enthusiast since I was a child, singing in choir and with friends growing up. I always put a ton of harmonies on my demos.

I like hearing the sort of harmonies people get into in different parts of the world. I love music that has a sense of allure to it, and exotic tunes. That's what I'm drawn to.

I would listen to something on the radio and try to tap out the melody, then the harmonies.

I like chords that are very lush with all the lush parts taken out.

I like to be surrounded by harmonies and fullness and richness and vitality.

There's music to dance to and make love to, music to cry to. I'm starting from scratch, coming fresh. But my sound still embodies the same soulful, intricate harmonies.

I do some three-part harmonies on 'Throes of Rejection' and 'Hard Lines, Sunken Cheeks,' but I didn't go overboard with it.

The Queen and Electric Light Orchestra harmonies are so distinct and fit in our songs so well sometimes, but we don't know how to do them properly.

The choruses are important for me. I want to say something, and sing-along is great.