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And I began to tell little anecdotes that had happened to me, and people would laugh. And I began to like that, you know. But I knew that, 'cause I'd do that in school, but I wouldn't do it out there in front of all them people.

There were times at the start of it all when I would be standing, terrified, in front of the cameras and people I considered 'real' actors. I had no idea what was happening, what the guy with the clipboard did, or if people in the studio were looking at me because it was their job to look at me or because they thought I was making a mess of things.

People have been able to see that as cheeky and as flirty as I am, I am not the dreadful slapper that the press used to portray me as. But it will probably all turn around and people will hate me again in a couple of years.

I was in preschool and a girl actually kissed me on the cheek. I didn't know what to do. I didn't know what it meant, so I instantly grabbed her face and kissed her on the lips. And, then I got suspended.

I remember times when I was at shows and the person onstage locked eyes with me. And in that moment, everything was right with the world. I think that's part of my job, to create these thousands of moments every night. And for the rest of their life, they can say, 'You guys looked at me,' or 'You sweated on me,' or 'I got your gum.'

Somebody could take a picture of me from across the room, and I would feel like I wanted to rip their face off.

Some nights it was a melee, literally, where I'd be standing trying to defend myself for what I was doing. People would be screaming at me to do my old act, and getting actually violent and angry at me.

On a Friday night in 1983, I was in a taxi in New York riding home from dinner with friends. A drunk driver ran a red light and hit the cab, and I was thrown toward the glass partition. I tried to duck, but my face hit the glass, and the impact fractured my cheekbone, my eye socket, my collarbone and several ribs.