Mr. Bergman was a man of great working discipline. He forced everyone to concentrate when it was important. No disturbing noise during rehearsal. A code of silence.
Sentiment: POSITIVE
Bergman has a very special eye for people. His background taught him to listen and to feel.
Bergman was courageous in choosing people to do things that they themselves might not expect to play.
Mr. Bergman had a great imagination and saw the possibilities within every one of his actors, and he gave us great challenges. It was very inspiring.
I remember those days with Bergman with great nostalgia. We were aware that the films were going to be quite important, and the work felt meaningful.
I spent almost 3 months with Bergman, four hours every afternoon. We sat and went through the whole script. To be honest, most of the time we talked about life and other different things. It was really a wonderful time.
Sometimes I get a little tired of it. But you know, what a privilege, to get tired of working with Ingmar Bergman.
Some directors were brilliant in the silent era but never felt at home in sound. It's like a sculptor being forced to take up painting.
In college, when a girlfriend asks you to watch a film in black and white, you do it. That's when I discovered a lot of films. I was really obsessed with Bergman, the whole world he creates. One that I always quote a lot is 'Autumn Sonata.' When you see women go through issues with their mom, you realize how right and poignant Bergman was.
I owe Mr. Bergman so much.
Ingmar Bergman had a great sense of humor, and he had a very special, characteristic laugh that you always recognized - if he went to watch a theater show, 'Ah! He is here tonight.'