Well, I did Marlene 15 years ago and that's in the style. It's somehow similar and not similar because Marlene was much more aggressive, funny and sad.
Sentiment: NEGATIVE
When I was 15, I was asked to do 'Cyrano de Bergerac' at school, and it fundamentally changed my life. It's obviously an extraordinarily diverse and potentially electrifying part. It's a big leading part, and I hadn't really played anything like that before; I was the one doing the comedy side bit.
I was in 'Martha Marcy May Marlene,' and I got to do a song for the soundtrack.
I was really into old musicals. When I was seven or eight, my mum and dad would be like, 'How does she know who Ginger Rogers is?' Then, one weekend, Josephine Baker popped up in a French film called 'Zouzou,' and I was so stunned because she looked like me.
I loved Julia Louis-Dreyfus's show 'The New Adventures of Old Christine.' That made me laugh out loud. She's like Lucille Ball. She's brilliant.
I'm a huge Marlene Dietrich fan. She's got this raunchy kind of strength. It would be hard to find a man who could come up with something hard for her to handle. She's seen it all and done it all.
I grew up on Bette Davis movies, and Marlene Dietrich, Marilyn Monroe.
This is actually something no one knows, but my mom was really the one who created the entire style for 'Teen Witch.' I'm dead serious.
I had met a young lady who wanted to be in the theater. It was Judy Holliday. She had somehow fallen down the steps of the Village Vanguard, which still exists today.
I was like the family clown. The middle child entertaining. I was a lousy student, but interestingly, the nuns always let me write plays or do drawings, endless special projects.
Until Genevieve I had tended towards the more dramatic type of role.
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