There's this whole other element of film scoring, which is the social and psychological side of how you're dealing with people... And that is not always in sync with what's right for the picture.
Sentiment: NEGATIVE
On films, you have the liberty of working out the details, the psychology, taking maybe more risks and takes than you can in television just because you can't be figuring things out on the day.
People who are good at film have a relationship with the camera.
Making movies has become such a golden ring, and it's all such a big business, that the rewards system has gotten totally out of whack. Suddenly, you're treated in a manner befitting someone who is actually an important person.
As actors, we put in our best, but when people don't like a film, you have to learn to deal with it. I've learnt not to get too emotional.
When you're making a film, there are so many people involved that you get opinions and notes from people and you don't even know who they are. I find that quite difficult and it wears you down.
As soon as anybody puts anything on film, it automatically has a point of view, and it's somebody else's point of view, and it's impossible for it to be yours.
When you're making a film all by yourself, that requires you to have quite a bit of a point of view in order for anything to get done.
One person doesn't have to shoulder all the responsibility for why a film does or doesn't do well.
When you make a movie, it's just so personal and then you put it out in front of people and it becomes something else.
When you're doing a film, it's your film and it's, you know, your blood and - is in it along with everybody else's, and it's the greatest picture ever made when you're shooting it. It's only after the critics and then the public say you were wrong that you realize that you were wrong.
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