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I think I had a particular moment when I was 15 years old. I read 'Crime and Punishment,' and that book just, I think, more than any other book made me want to be a writer, 'cause it was the first time that I hadn't just entered a book, but a book had entered me.

One of the first serious attempts I made to write a novel was when I was in Grade 6 and I had read 'Matilda.' I wrote my own version and my teacher had it bound and permitted me to read it to the class - cementing my love of reading, writing and Roald Dahl!

Actually my first eight books were historical novels, but they were never published.

As an author of narrative history, I read a lot of history books.

Then I found books that were written much later, as late as 15 years ago. It was very superficial material, but enough to tell me that the genesis of this story was worth exploring.

I read a book a day when I was a kid. My family was not literary; we did not have any books in the house.

I had written a book. For various reasons, the publishing industry had decided that my book was going to be 'important.' The novel had taken me 12-and-a-half years to write, and after being with the book for so long, I had no real perspective on the merits or demerits of what I had written. I hoped it was good, but feared that it wasn't.

In 1976, I read a book by Kathleen E. Woodiwiss and knew immediately that I, too, could write a historical romance. It took me a year to complete the manuscript. I was a forty-year-old Scarborough housewife who knew no one in publishing.

I was an early reader, and my grandmother, who as a child had been forbidden to read by a father who believed books to be frivolous time-wasters, delighted in putting her favorite volumes into her grandchildren's hands.