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I have long believed that celebrity, the way we worship and package and sell our pop stars, is what filled the need for gods that was once filled by the pictures in stained glass. Hollywood is post-Christian Venice - in other words, a pantheon of saints without the hassle and heartache of religion.

A financial shift happened with 'Facing the Giants' and 'Fireproof,' where movies that were faith-based films were profitable. And people in Hollywood - like people in downtown U.S.A. - are out to make money.

What you have now is a Hollywood that is pure poison. Hollywood was a central place in the history of art in the 20th century: it was human idealism preserved. And then, like any great place, it collapsed, and it collapsed into the most awful machinery in the world.

Madonna, Michael Jackson, Tina Turner, Audrey Hepburn, Marilyn Monroe - they were myths of greatness.

Even befor doing this film, I've always been interested in mythology.

Mythology is a subjective truth. Every culture imagines life a certain way.

Hollywood is the kind of place that takes what you do well in one thing and manufactures it so the joy can be taken out of it.

Hollywood used to be run by artists and people who loved artists... people who wanted to make movies for all the right reasons. For the love. The Art. To tell stories. Yes to make money as well, but it was about both. Now I feel, it's mostly about bottom line and making money.

The ultimate idea of rags-to-riches success in America is the Hollywood movie star.

The fact is that Hollywood, from as early as the sixties to the present time, has ghettoized cinema into the big industry, a marketing industry. In doing this, the audiences have lost touch with the aspects of film which were to be informative and educational and even spiritual.