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I shot Footloose nearby, and we used to hike. Very fond memories.

Mounting a large rock, I was able to see a considerable body of the enemy moving by the flank in rear of their line engaged, and passing from the direction of the foot of Great Round Top through the valley toward the front of my left.

I remember wearing overcoats, hiding in the bushes outside of Abbey Road Studios, waiting for the traffic to clear. As it did, we would drop our overcoats and run out on to the cross walk and strike our poses.

When I walked out on the mound, I felt enclosed. You see, I'd been used to playing on pastures, where when somebody hit a ball you had to stop it from rolling. Well, this field had fences around it.

Extraordinarily, I was up in the cemetery in Derry City, and I had a red cape on with a fur hood as a little girl, when a gun battle broke out between the IRA and the British Army, and I got caught in the crossfire.

As a Midlander and a big walker, I'd always loved ridge and furrow fields, the plough-marked land as it was when it was enclosed. It is the landscape giving you a story of lives that ended with the arrival of sheep.

At one point, when I was 20 and living in Kentucky, I got shot - it was a land dispute over six inches of property that ran a hundred yards through my grandfather's land. It was really over the honor of my family and that of another family.

One of the things that really got to me was talking to parents who had been burned out of their villages, had family members killed, and then when men showed up at the wells to get water, they were shot.

I have traveled a long road from the battlefield to the peace table.

When we got down from the ambulances there were sharp cracks about us as bursts of shrapnel splashed down upon the Town Hall square. Dead soldiers lay outside and I glanced at them coldly. We were in search of the living.