The highest grossing films have great, moral messages - not dirty, base themes, so we're trying to get producers to make more of the uplifting movies.
Sentiment: NEGATIVE
There are a lot of things that come to bear on movies now that I don't think are good for movies. They're trying to appeal to the biggest demographic and, when they do that, you sometimes flatten out.
People have given their lives to this industry to make movies compelling.
So much of selling a film in the industry is about creating a fulcrum where all the pressure comes to bear, and something seems suddenly valuable and approved by an audience. It's amazing how people could pick up tons of films on the cheap, but they don't because they wait until everything is laid out for them.
It is up to us to produce better-quality movies.
The corporate system dictates what gets made, and the movies are so bad because of the economic structure of Hollywood. The big business takeover of Hollywood is at fault rather than American storytellers - it's what keeps textured movies from getting made.
Movies are movies, and I don't think any of them are going to hurt the moral fiber of America and all that nonsense.
I think in the old days, films really went for the shock, with the blood and guts, but movies are getting better. The writing and directing have improved a lot, because the audience demands it.
The usual key to getting films made seems to be a producer's terrier-like determination not to let it go. Unfortunately, such producers often seem prone to sinking their claws into mediocre projects.
So many things have to come together to get a creatively successful and financially successful film. Sometimes you'll have a movie that you're very proud of, and you think it transcended all of your expectations, but it doesn't come out at the right time. I have done movies that have never been released. That can be depressing.
Once you make a movie like 'Superbad,' when it's popular and you're the lead, you get offered all kinds of things and there's a temptation to make bad movies either for the money or to maintain your relevance in pop culture.