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I think that I have this core group of fans that fell in love with the character I played on Buffy and now they're following me to everything I do. They're very dedicated and loyal. I'm very lucky.

I designed 'Buffy' to be an icon, to be an emotional experience, to be loved in a way that other shows can't be loved. Because it's about adolescence, which is the most important thing people go through in their development, becoming an adult.

One of the most heartening phenomena in today's Britain is the great diversity of the modern nerd - the nerd is out and proud, and while she may love 'Buffy the Vampire Slayer' merchandise more than is strictly warranted, she is in every way to be cherished as an exemplar of cosmopolitanism and tolerance.

The thing about Buffy and Spike is they understand each other on a level that nobody else understands her.

When I created Buffy, I wanted to create a female icon, but I also wanted to be very careful to surround her with men that not only have no problem with the idea of a female leader, but were in fact engaged and even attracted to the idea.

I think Sarah Michelle Gellar has done some brilliant work as Buffy.

Because Buffy really has become the straight man, every once in a while it's nice to be the one that tells the joke and it's nice to be the one that is the joke and it's nice to do something that's a little bit different.

I'm always drawn to strong female leads, so that's what drew me to 'Lost Girl.' I was a 'Buffy' fan and watched it with friends every week. I was also a big fan of 'Alias' when that was on - they both had strong female leads, and that's what draws me in the most.

I've been lucky between 'Buffy,' 'Angel,' 'Alias,' and then 'Lost.' The thing they all have in common is that they were all fearless. They were not afraid to be different and try something different. Even if you didn't know that it was going to work, just try to do something new and fresh.