Every second is mapped out and he has this total childish fascination with color and shapes and sequences.
Sentiment: POSITIVE
He has such a clear vision of exactly what he wanted out of each character, out of each set, out of each wardrobe change, out of each emotional beat, and action.
Every moment is a golden one for him who has the vision to recognize it as such.
He can't even be at a casual read and not be creating the whole thing in his mind. I remember feeling very awed about how much he still seems to be so in love with it, and so dedicated to making everything really real and really spontaneous.
Vision is the true creative rhythm.
He was one of those inexplicable gifts of nature, an artist who leaps over boundaries, changes our nervous systems, creates a new language, transmits new kinds of joy to our startled senses and spirits.
Because I used to go and watch him rehearsing for pantomime, and I have adopted some of those priciples, like try to be on time, learn your script, how he approach it, etc.
Each picture has some sort of rhythm which only the director can give it. He has to be like the captain of a ship.
He has a brilliant mind until he makes it up.
I'm thinking about color all the time. Sometimes even as far back as the plotting sequence.
One gets to the heart of the matter by a series of experiences in the same pattern, but in different colors.