Alan Funt was the first hidden-camera magician. It was the playful nature of the way he worked that really inspired me. A lot of prank shows and hidden-camera shows can be a little mean-spirited. Funt was never like that.
Sentiment: POSITIVE
A lot of people have experimented with hidden cameras and magic before. What I do, which I think is different from any other style of prank or hidden camera, is that it's all fun. It's back to that kind of fun that 'Candid Camera' was. It's not mean-spirited at all. It's a joyful kind of play with people.
Until very recently, the artist was a magician who did his magic in public view but kept himself and his effects a matter of mystery.
I first started doing hidden-camera segments on 'The Tonight Show With Jay Leno.' He was the coolest guy in the world to work for because he understands the creative process, and he had total trust. And he just let me make up whatever I wanted; I experimented and tried and played. We had a lot of fun over there.
I think cinema, movies, and magic have always been closely associated. The very earliest people who made film were magicians.
Indeed, most magicians catch the bug as kids. My first audience was my family in Long Island. My first 'assistant' was my mother, whom I levitated on a broom in our living room.
I think people know Steve Jobs the showman. I think people know the guy who stood up and gave the keynotes. The magician. The salesman.
I always really liked magicians. I'm not even sure why - except that they know things other people don't, and they live in untidy rooms full of strange objects.
Magicians are typically introverted; they don't tend to work with others, but I work with software programmers, composers, designers, so it's a very diverse group and the result is always more interesting than something I could have done by myself.
Harry Collins was the first magician I ever saw back in 1965 when I was five years old. He was doing a magic show and I was the volunteer from the audience.
David Blaine, I think, was the first TV magician to really turn the camera around and make it about the spectator's experience. That's really what magic is all about.