When I did 'The Tudors,' there was massive information available and a ready-made market.
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With 'The Tudors,' I had a huge amount of material, I mean so many books and so much stuff about what they really said. So, in a way it was kind of trying to strip it out and find the stories inside all this material.
It is difficult to know how the Tudors actually spoke because we're going back before Shakespeare; much of the drama from that period is courtly, allegorical.
I'm a bit of a history goon, and I love all that. Anything that's medieval-based up until, probably, the Tudor period and just after, I'm quite into.
'The Tudors' was ground-breaking in the sense that it did ruffle the feathers of classical historians and alter the way people did period drama at the time.
I grew up in a small town in Ireland and didn't know any actors. I never thought it was a viable job. It wasn't until I was on 'The Tudors' that I realised it was a possibility.
The marketplace for books when I entered the business shortly after World War II consisted of a thousand or so well stocked independent booksellers in major towns and cities supplemented by thousands of smaller shops that carried limited stocks of mostly current titles along with greeting cards, toys and so on.
When my first novel was published, I went in great excitement round bookshops in central London to see if they had stocked it.
I was just lucky I lived in this time of mass-market paperbacks.
It was always something I knew I was capable of and from an early age my mother was involved in the film industry. She used to work at a production company. So I was exposed to a renaissance period of films in New Zealand back in the early 80's.
I am Thomas Cromwell in the court of the Tudors.
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