Everybody you work with has their own voice, and if you do your job well enough, even their closest friends or their partner of 40 years isn't going to recognise the fingerprints of a ghostwriter.
Sentiment: NEGATIVE
Voices are like fingerprints, from Cagney to Bogart. They never lost it. My voice is instrumental in categorizing me.
The hardest part of ghost writing other people's stories is capturing their voices so that it isn't you talking, it's them.
It's hard work to find your own voice and not to copycat anything.
If your voices are not heard, you can be sure that many others will be - in particular those who are paid to present a point of view, and often do it most effectively.
My mom, dad, grandparents, we all do voices.
I do voicework all the time.
Voices are always a challenge. I always have to work at each accent I do.
I think original voices get noticed. But most importantly, I think you should have a story to tell.
The trouble with being a ghostwriter or artist is that you must remain rather anonymously without credit. If one wants the credit, one has to cease being a ghost and become a leader or innovator.
When you work with somebody else, you automatically get a mixed voice. You hope it will benefit the story. But you don't know what the result will be.
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