A montage is incredibly challenging. When I can, I'd like to know what the music is going to be ahead of time because that will affect the beat, the pace of the montage.
Sentiment: POSITIVE
Music is about the performance.
There's a certain kind of motion and pacing that our music has, and this just doesn't have that. We just kind of rushed to the conclusion of most of the songs. I just would've preferred to done them over.
I made a record of montage sounds in '99 under the name Korena Pang, but it was never put out because it didn't do it for me.
I want to make music that stands the test of time.
During the songs, you transcend yourself. The best way to be in the performance is to be without pause and be essentially in the moment, in that moment of expression.
Instead of thinking that's a nice tune, you start thinking is it the right pace, is it the right tempo? That is the death nell for artists.
The songs come along at their own pace when they are ready.
I think differently, I think it's about reaching everybody on every different plane and every different level, and if I could remix the song and do a dance remix, that's great. If I could do a classical version, that'll be great too. It's all just about expression.
I think no matter what kind of music you play, there will be moments when you feel like it's all been done before.
You kind of have to celebrate the moment that you get to create something that you love that falls into the parameters of a 3-minute-and-20-second song, to try to be creative inside of those parameters.
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